Collins Trier

American Howl with Fulcrum Point

Scenes from a hard-hitting concert with Fulcrum Point at the Poetry Foundation.  Kevin Coval's between-the-eyes eloquence in his own work matched the tone Allen Ginsburg's "Howl," set to music by George Flynn. The otherwise intimate setting could barely contain the force of Jerome Kitzke's "Mad Coyote Madly Sings."  Pictured are Stephen Burns (trumpet/conductor), Kevin Coval (poet/narrator), Wagner Campos (clarinet), Jeremy Ruthrauff (sax), Kuang-Hao Huang (piano), Doug Perkins (percussion), Rika Seko (violin), Sophie Webber (cello), Collins Trier (bass), Juliet Petrus, Joelle Lamarre, and Brad Jungwirth (vocals).  

Photos © Copyright 2015 by Elliot Mandel. All rights reserved. 

Nothing better than an all-Bach concert

Photographing a concert of Bach music makes me a happy boy, so I was thrilled to have the opportunity to shoot the opening concert of the Bach Week Festival at Nichols Concert Hall in Evanston last week.  A beautifully varied program began with Desiree Ruhstrat and Mathias Tacke playing the Double Violin Concerto, followed by the Cantata No. 82 with bass Douglas Anderson.  Brandenburg Concertos 2 and 5 closed the concert before a post-concert candlelight performance of early music with Mirja Lorenz (recorder) and Joel Spears (theorbo). 

All photos © Copyright 2015 by Elliot Mandel. All rights reserved.

Contempo: Big names, world premieres

Contempo always packs a heavy-hitting and heady mix of music.  This past Sunday seemed extra significant as Contempo gave the world premieres of works by Gunther Schuller and Sofia Gubaidulina - two giants in the world of contemporary composition who were also in attendance.  Add composer and Contempo artistic director Shulamit Ran, conductor Cliff Colnot, and U of C ensembles-in-residence Pacifica Quartet and eighth blackbird, and you've got some of the best in new music.  

Unlike traditional classical music forms, contemporary music is impossible to predict, making it uniquely challenging to photograph.  The usual strategy of waiting for the loud parts doesn't necessarily work since the loud parts may never come, or they come and go in an instant.  Here are some moments that I caught when the shutter sound was (hopefully) masked.